The Uncredibles

The Uncredibles

Saturday, August 18, 2018

Friday, August 17, 2018

I'm heading to Amsterdam next week so here's something I did awhile ago - maybe I'll even find this canal.
Other news: I'm very happy to say I'm back with my agent, Three in a Box. I started out with them many years ago - in fact we pretty much started out at the same time - so I'm very happy to know they will have me back. I'm really excited to get back into this side of the business.
I've been focused on kid's books for the last decade. I'm keeping that going (two books coming out this spring) but I think the key to success in anything is poking your nose into new things along the way. It keeps you on your toes and gives your style freshness - or at least I hope it does! So far so good.
Hope everyone is enjoying their summer. Except for the occasional beach closure because of dirty water it's been great. Lots of swimming and feeling like an otter.
Which reminds me, time for a swim. 

The Wall Street Journal


Sunday, July 15, 2018

Every time I write here I realize I need an assistant - somebody to keep me consistent with keeping up to date. But then, once I'm done, something bright flies by and I forget all about it. Maybe I'm not going to change.
So lots to catch up on but I'll cut to the chase. 'Owen at the Park' is nearing completion. That's my book that takes place in Tiergarten - the park in Berlin. I was lucky enough to be able to write a lot of it (and start the illustrations) while there. Out of all the books I've done it's been the most enjoyable. It's really been a labour of love. I was always conflicted when working on the final art - I couldn't wait to dive into each page but knew the more I did the closer I was to finishing it. And I didn't want it to end.
 
Of course working with Groundwood (Michael and Nan) has been a joy. Here's hoping more is on the way. Whatever I do they improve on. Mind you I'm just waiting to hear back on my final art so I let's see how I feel after I get comments. Ok, I'm joking, I really find they elevate anything I might do.
But working as a freelancer means you have to be scrabbling around for new work while you're finishing off the current project. By rights the scrabbling should start earlier but that's where the creative aspect comes in. I find I can only split myself up so much (creatively speaking) so that sometimes one project needs to be almost done before you can focus on the next.
I'm working on a new story about logging and tugboats here in B.C. Thanks to a friend who worked in the field I feel I've got the inside track on a lot of information.  It's pretty fascinating stuff. I've just started rough sketches so who knows how it may end up but here's the characters. 
On a whole different note I'm still doing editorial cartoons. As reprehensible as he is I have to be grateful that he kick started an aspect of my illustration that I'd never pursued before.
 
Ok, that's the news for now!

Tuesday, November 28, 2017

Kind of amazing when I look at these all put together. I got a nice delivery from OwlKids last night - two more translations of ‘Why?’ This brings the total to eleven translations - including Russian, Arabic, Korean, Japanese, Dutch, Finnish, Turkish, Slovenian, French, Polish and Chinese. Plus OwlKids put out a 10 year anniversary edition and a recently issued paperback. So I want to say thank you and congratulations to the author Catherine Ripley, OwlKids and Sheba Meland for pulling the whole thing together. 
It's pretty cool to know the book is being enjoyed in so many countries around the world. There were a few surprises along the way. In the Arabic version somebody changed the art. I totally understand cultural and religious sensibilities but I was surprised to open the book to see the addition of long sleeves and skirts on female appendages, and the complete removal of pigs in the farm. Next time I’d be happy to do it myself! The Chinese edition is divided into 3 books, for some reason using another artist on the cover! On the Russian version they chose different cover art as well, with a dinosaur drinking a glass of water. For the eagle eyed, I've included a translation of another book I illustrated called ‘How?’, a follow up to ‘Why?’ Let’s hope it continues the tradition and has as many translations. 

Wednesday, October 11, 2017

Leaves on cobblestone


    It's almost halfway through October and I'm winding down my time in Berlin. This city is so beautiful in the fall - massive trees with leaves scattering on the cobblestone (real cobblestone!) Kindergarten kids being ferried to and fro in little kiddie karts. It seems very German because the teachers peddle groups of 5 or 6 kids through the streets. Back in Canada there would be rules about helmets or capacity and the kids would have to be piled into a city bus. 
    As many times as I've been to Berlin I still love this city. I'm going to be sorry to come home. But don't feel too bad for me, I love Vancouver so I'll get over it pretty quick. 
    I've had the good fortune to be able to do some work on my book that takes place here (in Tiergarten, the Stanley Park of Berlin.) There's something pretty special about being able to work on a project in the location it takes place. 
    And of course being somewhere new can stimulate the creative juices. I've got seeds for a few book ideas but the only way to see if they will really turn into anything (or at least the way I work) is to put them aside for a bit. I wonder how other freelancers work. My technique is a rotation of delving into new possibilities, followed by storing those away while I work on current projects. And the cycle goes on. The trick is to always have 3 burners going: one on the boil, one simmering and one you're out at the market gathering ingredients to see what you can make - which is clearly not a burner. I seem to have mixed my metaphors again. 
    I've been having fun working on a couple of Apps too - something very new for me. These are math apps for young kids. I guess you could say I did a bit of animation but it's very simple. So let's just say, inching my way into the world of Apps.

This is from the Tiergarten book,  out next year with Groundwood. 


This is from 'Eggstravagant!' the new App written by the lovely Lori Sherritt-Fleming for the TV entertainment company, GAPC.


And this is another cartoon for the orange menace below. I do have to give credit to Mr. Trump - he has given cartoonists and illustrators no end of new ideas just by being himself. If only he weren't a real danger it would be amusing. 



Friday, August 11, 2017

Squirrels in Paris in August


I'm sitting here drawing squirrels in Paris and realized this is the kind of thing I should probably write about. Doing what I do, and being able to travel is pretty amazing and I have to remind myself how lucky I am.
On top of drawing squirrels in Paris I'm staying in an amazing building built in 1901, complete with a separate entrance up the back stairs for the servants and 8' windows in every room. It's  kind of hard to leave and see the sights. But I'm a trooper and I managed to get out and take some pics. 
I had planned to take an actual holiday here - which is something freelancers know very little about. But when it came right down to it I wasn't able to and brought my work gear with me. But to be honest, drawing squirrels in Paris, and getting paid for it is as good as any holiday I can think of.